![]() Only then does Sunset suggest that this couple is going to truly wind up with each other. It has the hardest job of all three by being an extended continuation, and it doesn’t try to put an official stamp on this couple so much as let them breathe and show their development as people. But Before Sunset’s simplicity, expedient storytelling, and just all around cool confidence and honesty in the face of love is the most affecting and impressive chapter. I love Before Sunrise’s emotional maturity and sweetness, and I admire Before Midnight’s total commitment and bravery in showing marriage as a sometimes imperfect situation. It’s always a good time to watch this couple evolve, grow in and out of love, and behave like real people. It’s measured and observed in a way films like this in its own time, and even now, really aren’t.īlake Goble (BG): It’s just downright silly to try and pick a favorite time to watch Delpy and Hawke before certain times of day. Now, I know you two may well end up preferring the grounded realism of later installments to the dreamy, European whimsy of the first, but Sunrise is a great, great film concerned with watching people fall in love, from the first meet cute onward. In those scenarios, whether the other person even makes for particularly great company is beside the point. They’re clearly compatible but in that way that you are specifically in the earlier days of college, when meeting people and wandering through social modes is an integral part of your day-to-day life, when you’re enamored with just getting to know somebody that isn’t like anybody you’ve met before. For them, wandering the streets and canals of Vienna is just something to do while in transit to elsewhere, and they’re killing time with an attractive stranger as best they can in the interim. But, as the Before films go on to insist with increasing fervor, the conversations don’t necessarily matter as much as the way they’re delivered and the subtle cues between Ethan Hawke’s Jesse and Julie Delpy’s Celine. ![]() Before Sunrise perhaps works best when viewed through that lens, because even as someone who adores it, I’ll be the first to admit that it’s the easiest of the three films to side-eye just a little.Īfter all, it’s really, really enamored with what college kids have to say about life. Where Dazed and Confused perfectly captures the listlessness of high school summers, all intoxication and wandering conversation and just wandering in general, Before Sunrise continues that thought but adds to it the pangs of onset adulthood. And it’s a perfect follow-up to his previous film to boot. Dominick Mayer (DM): For a movie as navel-gazing and utterly ’90s in certain respects as Before Sunrise is, it’s the fount from which one of Linklater’s foremost accomplishments sprung.
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